{"id":18616,"date":"2026-10-04T01:02:59","date_gmt":"2026-10-04T01:02:59","guid":{"rendered":"https:\/\/katerynakasper.de\/?post_type=portfolio_item&p=18616"},"modified":"2026-10-15T20:19:10","modified_gmt":"2026-10-15T20:19:10","slug":"trp_language-languagede_de-susanna-trp_language-trp_language-languageen_gb-susanna-trp_language","status":"publish","type":"portfolio_item","link":"https:\/\/katerynakasper.de\/en\/subject\/trp_language-languagede_de-susanna-trp_language-trp_language-languageen_gb-susanna-trp_language\/","title":{"rendered":"Handel\u2019s SUSANNA at Smetana Litomy\u0161l with V\u00e1clav Luks & Collegium 1704"},"content":{"rendered":"

\u2028<\/span><\/p>\n

\u201eUkrajinsko-n\u011bmeck\u00e1 sopranistka Kateryna Kasper jako Susanna m\u00e1 nesm\u00edrn\u011b p\u0159\u00edjemnou barvu hlasu ve v\u0161ech poloh\u00e1ch a dok\u00e1\u017ee toho skv\u011ble vyu\u017e\u00edt. Litomy\u0161lsk\u00e9mu publiku tak mohla nab\u00eddnout dokonal\u00e9 propojen\u00ed sv\u00e9 role s p\u011bveck\u00fdm v\u00fdkonem \u2013 ve sv\u00e9 podstat\u011b skromn\u00fdm, \u010dist\u00fdm, ale tak\u00e9 zcela nekompromisn\u00edm ve v\u0161ech mysliteln\u00fdch souvislostech.\u201c<\/span><\/p>\n

\u201cThe Ukrainian-German soprano Kateryna Kasper, as Susanna, has an exceptionally pleasant vocal timbre in all registers and knows how to make excellent use of it. She was thus able to offer the Litomy\u0161l audience a perfect connection between her role and her vocal performance \u2013 essentially modest and pure, but also completely uncompromising in every conceivable context.\u201d<\/strong><\/span><\/p>\n

Novinky.cz – Richard Hruban – 23.06.2026<\/strong><\/span><\/a><\/span><\/p>\n

\u201eUkrajinsko-n\u011bmeck\u00e1 sopranistka Kateryna Kasper podala uk\u00e1zkov\u00fd v\u00fdkon v interpretaci barokn\u00ed hudby, jej\u00ed zp\u011bv pln\u00fd jasu a p\u0159irozenosti spl\u00fdval s postavou hrdinky, p\u0159in\u00e1\u0161el pocity m\u00edru a pokoje.\u201c<\/span><\/p>\n

\u201cThe Ukrainian-German soprano Kateryna Kasper gave an exemplary performance in her interpretation of Baroque music; her singing, full of clarity and naturalness, merged with the character of the heroine and conveyed feelings of peace and tranquility.\u201d<\/strong><\/span><\/p>\n

 <\/p>\n

 <\/p>\n

KlasikaPlus.cz – Roman Mar\u010d\u00e1k – 23.06.2026 <\/a><\/strong><\/span><\/p>\n

\u201eUkrajinsko-n\u011bmeck\u00e1 sopranistka Kateryna Kasper potvrdila coby Susanna renom\u00e9 v\u0161estrann\u00e9 interpretky, suver\u00e9nn\u011b se pohybuj\u00edc\u00ed v opern\u00edch i p\u00eds\u0148ov\u00fdch \u201avod\u00e1ch\u2018. V H\u00e4ndelov\u011b oratoriu na n\u00ed pochopiteln\u011b le\u017eela t\u00edha nejn\u00e1ro\u010dn\u011bj\u0161\u00edho \u00fakolu, nezaznamenal jsem ani jedin\u00e9 zav\u00e1h\u00e1n\u00ed \u010di jakoukoli stopu nejistoty. Do sv\u00e9 postavy se vc\u00edtila zcela p\u0159esv\u011bd\u010div\u00fdm zp\u016fsobem. Rozsah jej\u00edho n\u00e1dhern\u00e9ho hlasu je udivuj\u00edc\u00ed, p\u011bvkyn\u011b zas\u00e1hla poslucha\u010de jeho n\u00e1dhernou lyrikou i silou v dramatick\u00fdch poloh\u00e1ch.\u201c<\/span><\/p>\n

„Susanna<\/em> se ve sv\u00e9 \u00factyhodn\u00e9 kompaktnosti stala triumfem a ozdobou litomy\u0161lsk\u00e9ho festivalov\u00e9ho programu. Setkala se s p\u0159ipraven\u00fdm publikem, jeho\u017e pozornost si z\u00edskala od prvn\u00edch t\u00f3n\u016f p\u0159edehry a udr\u017eela si ji a\u017e do z\u00e1v\u011bre\u010dn\u00e9ho rozuzlen\u00ed. Nad\u010dasov\u00e9 p\u0159esahy a aktu\u00e1lnost t\u0159eba i pro na\u0161i dne\u0161n\u00ed dobu v n\u00ed ur\u010dit\u011b na\u0161el ka\u017ed\u00fd n\u00e1v\u0161t\u011bvn\u00edk. Pr\u00e1v\u011b v tom vid\u00edm p\u0159idanou hodnotu mistrovsky zrealizovan\u00e9ho barokn\u00edho projektu. Proveden\u00ed H\u00e4ndelovy Susanny p\u0159ipravuje Collegiu<\/span><\/p>\n

m 1704 i pro pra\u017esk\u00e9 publikum \u2013 na po\u010d\u00e1tek leto\u0161n\u00edho listopadu do Rudolfina. I tam si mo\u017en\u00e1 n\u011bkdo \u017eiv\u011b <\/span>p\u0159edstav\u00ed, jak by \u0161ikovn\u00fd inven\u010dn\u00ed re\u017eis\u00e9r mohl prom\u011bnit statick\u00e9 oratorium v rozpohybovan\u00e9 opern\u00ed p\u0159edstaven\u00ed. P\u0159inejmen\u0161\u00edm za \u00favahu by to st\u00e1lo, nebo ne? „<\/span><\/span><\/p>\n