{"id":11740,"date":"2024-12-02T19:05:27","date_gmt":"2024-12-02T19:05:27","guid":{"rendered":"https:\/\/katerynakasper.de\/?page_id=11740"},"modified":"2025-09-17T19:52:13","modified_gmt":"2025-09-17T19:52:13","slug":"about","status":"publish","type":"page","link":"https:\/\/katerynakasper.de\/en\/about\/","title":{"rendered":"About"},"content":{"rendered":"<div data-elementor-type=\"wp-page\" data-elementor-id=\"11740\" class=\"elementor elementor-11740\">\n\t\t\t\t<div class=\"elementor-element elementor-element-5efb683 e-con-full e-flex e-con e-parent\" data-id=\"5efb683\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-fec960a elementor-widget elementor-widget-spacer\" data-id=\"fec960a\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-d6153c1 elementor-widget elementor-widget-spacer\" data-id=\"d6153c1\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-2884d7d e-con-full about--navigation-border-fix e-flex e-con e-parent\" data-id=\"2884d7d\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-ea53a26 elementor-widget elementor-widget-shortcode\" data-id=\"ea53a26\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"shortcode.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-shortcode\"><div class=\"menu-biomenu-container\"><ul id=\"menu-biomenu\" class=\"bioMenu-main-class\"><li id=\"menu-item-15383\" class=\"trp-language-switcher-container menu-item menu-item-type-post_type menu-item-object-language_switcher current-language-menu-item menu-item-15383\"><a href=\"https:\/\/katerynakasper.de\/en\/wp-json\/wp\/v2\/pages\/11740\" data-ps2id-api=\"true\"><span data-no-translation><span class=\"trp-ls-language-name\">DE<\/span><\/span><\/a><\/li>\n<li id=\"menu-item-15382\" class=\"trp-language-switcher-container menu-item menu-item-type-post_type menu-item-object-language_switcher current-language-menu-item menu-item-15382\"><a href=\"https:\/\/katerynakasper.de\/en\/wp-json\/wp\/v2\/pages\/11740\" data-ps2id-api=\"true\"><span data-no-translation><span class=\"trp-ls-language-name\">EN<\/span><\/span><\/a><\/li>\n<li id=\"menu-item-15234\" class=\"about-nav menu-item menu-item-type-custom menu-item-object-custom menu-item-15234 sg-popup-id-12569\"><a href=\"#\" data-ps2id-api=\"true\">Downloads<\/a><\/li>\n<\/ul><\/div><\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-3b9dd1e e-grid e-con-full about--all e-con e-parent\" data-id=\"3b9dd1e\" data-element_type=\"container\" data-e-type=\"container\" id=\"about-de\">\n\t\t\t\t<div class=\"elementor-element elementor-element-d5121b6 elementor-widget__width-inherit elementor-widget elementor-widget-html\" data-id=\"d5121b6\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"html.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h888b>Kateryna Kasper<\/h888b>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-945269e elementor-widget elementor-widget-text-editor\" data-id=\"945269e\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><\/p><p><ul class=\"display-posts-listing\"><li class=\"listing-item\"><div class=\"content\"><p><span style=\"font-size: 15px;\"><span style=\"font-family: Brandon Grotesque; color: #000000;\"><noscript><img fetchpriority=\"high\" decoding=\"async\" class=\"wp-image-5992 alignright\" src=\"https:\/\/katerynakasper.de\/wp-content\/uploads\/2022\/05\/DSC2743-533x800.jpg\" alt width =\"613\" height=\"921\" srcset=\"https:\/\/katerynakasper.de\/wp-content\/uploads\/2022\/05\/DSC2743-533x800.jpg 533w, https:\/\/katerynakasper.de\/wp-content\/uploads\/2022\/05\/DSC2743-8x12.jpg 8w, https:\/\/katerynakasper.de\/wp-content\/uploads\/2022\/05\/DSC2743-768x1152.jpg 768w, https:\/\/katerynakasper.de\/wp-content\/uploads\/2022\/05\/DSC2743-1024x1536.jpg 1024w, https:\/\/katerynakasper.de\/wp-content\/uploads\/2022\/05\/DSC2743-1000x1500.jpg 1000w, https:\/\/katerynakasper.de\/wp-content\/uploads\/2022\/05\/DSC2743-373x560.jpg 373w, https:\/\/katerynakasper.de\/wp-content\/uploads\/2022\/05\/DSC2743-600x900.jpg 600w, https:\/\/katerynakasper.de\/wp-content\/uploads\/2022\/05\/DSC2743-1200x1800.jpg 1200w, https:\/\/katerynakasper.de\/wp-content\/uploads\/2022\/05\/DSC2743-200x300.jpg 200w, https:\/\/katerynakasper.de\/wp-content\/uploads\/2022\/05\/DSC2743.jpg 1365w\" sizes=\"(max-width: 613px) 100vw, 613px\"><\/noscript><img fetchpriority=\"high\" decoding=\"async\" class=\"wp-image-5992 alignright lazyload\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%22http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%22%20viewBox%3D%220%200%20613%20921%22%3E%3C%2Fsvg%3E\" alt width =\"613\" height=\"921\" srcset=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%22http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%22%20viewBox%3D%220%200%20613%20921%22%3E%3C%2Fsvg%3E 613w\" sizes=\"(max-width: 613px) 100vw, 613px\" data-srcset=\"https:\/\/katerynakasper.de\/wp-content\/uploads\/2022\/05\/DSC2743-533x800.jpg 533w, https:\/\/katerynakasper.de\/wp-content\/uploads\/2022\/05\/DSC2743-8x12.jpg 8w, https:\/\/katerynakasper.de\/wp-content\/uploads\/2022\/05\/DSC2743-768x1152.jpg 768w, https:\/\/katerynakasper.de\/wp-content\/uploads\/2022\/05\/DSC2743-1024x1536.jpg 1024w, https:\/\/katerynakasper.de\/wp-content\/uploads\/2022\/05\/DSC2743-1000x1500.jpg 1000w, https:\/\/katerynakasper.de\/wp-content\/uploads\/2022\/05\/DSC2743-373x560.jpg 373w, https:\/\/katerynakasper.de\/wp-content\/uploads\/2022\/05\/DSC2743-600x900.jpg 600w, https:\/\/katerynakasper.de\/wp-content\/uploads\/2022\/05\/DSC2743-1200x1800.jpg 1200w, https:\/\/katerynakasper.de\/wp-content\/uploads\/2022\/05\/DSC2743-200x300.jpg 200w, https:\/\/katerynakasper.de\/wp-content\/uploads\/2022\/05\/DSC2743.jpg 1365w\" data-src=\"https:\/\/katerynakasper.de\/wp-content\/uploads\/2022\/05\/DSC2743-533x800.jpg\"><\/span><span style=\"color: #008080; font-size: 16px; font-family: Brandon Grotesque;\">Ukrainian-German soprano Kateryna Kasper is distinguished by her stylistic versatility in opera, oratorio, and art song. She performs at leading opera houses, concert halls, and festivals worldwide and is renowned for her nuanced, highly expressive interpretations. Her repertoire ranges from Bach\u2019s oratorios and Passions to operatic roles by Handel, Mozart, and Strauss, and Mahler\u2019s symphonies. It also encompasses works by Haydn, Brahms, Mendelssohn, Dvo\u0159\u00e1k, Poulenc, and Henze, as well as an extensive Romantic art song repertoire.<\/span><\/span><\/p>\n<p><strong><span style=\"color: #000000; font-size: 20px; font-family: Brandon Grotesque;\">ENGAGEMENTS<\/span><\/strong><\/p>\n<p class=\"isSelectedEnd\"><span style=\"font-size: 16px; font-family: Brandon Grotesque; color: #000000;\">In the coming season, Kateryna Kasper makes her house debut at the <strong>Theater an der Wien<\/strong> in a new production of Handel\u2019s <em>Rinaldo<\/em> under the musical direction of <strong>Francesco Corti<\/strong> and directed by <strong>Nadja Loschky<\/strong>, in which she sings the role of <strong>Armida<\/strong> for the first time. She also makes her debut at the <strong>Innsbruck Festival of Early Music<\/strong>. A new aria programme <em>Queen Christina\u2019s World<\/em> takes her together with the <strong>Helsinki Baroque Orchestra<\/strong> and <strong>Cecilia Bernardini<\/strong> to <strong>Helsinki<\/strong> and <strong>Riga<\/strong>, while a chamber music programme featuring works by <strong>Mozart<\/strong> and <strong>Gluck<\/strong> brings her to <strong>Santiago de Compostela<\/strong>. With a New Year\u2019s concert featuring arias by <strong>Mozart<\/strong> and <strong>Haydn<\/strong> with the <strong>Symphony Orchestra of the Czech Radio<\/strong>, she returns to <strong>Prague<\/strong>. Further projects include performances of <strong>Faur\u00e9\u2019s<\/strong> <em>Requiem<\/em> as well as <strong>Leonard Bernstein\u2019s<\/strong> <em>Chichester Psalms<\/em>.<\/span><\/p>\n<p class=\"isSelectedEnd\"><span style=\"font-size: 16px; font-family: Brandon Grotesque; color: #000000;\">Among her recent successes are her role debuts as M\u00e9lisande in <strong>Debussy\u2019s<\/strong> <em>Pell\u00e9as et M\u00e9lisande<\/em> at the <strong>Longborough Festival Opera<\/strong> (UK opera debut), as <strong>Cleopatra<\/strong> in <strong>Handel\u2019s<\/strong> <em>Giulio Cesare<\/em>, and as <strong>Mica\u00ebla<\/strong> in <strong>Bizet\u2019s<\/strong> <em>Carmen<\/em> at the <strong>Oper Frankfurt<\/strong>. As<strong> Elettra<\/strong> in <strong>Mozart\u2019s<\/strong> <em>Idomeneo<\/em> and <strong>Arianna<\/strong> in <strong>Vivaldi\u2019s<\/strong> <em>Il Giustino<\/em>, she appeared with the <strong>Freiburg Baroque Orchestra<\/strong> under the direction of <strong>Ren\u00e9 Jacobs<\/strong> at, among others, the <strong>Teatro Real<\/strong> in <strong>Madrid<\/strong>, the <strong>Liceu<\/strong> in <strong>Barcelona<\/strong>, the <strong>Elbphilharmonie Hamburg<\/strong>, the <strong>Palau de la M\u00fasica<\/strong> in <strong>Valencia<\/strong>, the <strong>Konzerthaus Freiburg<\/strong>, the <strong>Heidelberger Fr\u00fchling Music Festival<\/strong>, and <strong>deSingel<\/strong> in <strong>Antwerp<\/strong>. As <strong>Arianna<\/strong>, she had previously already been celebrated in <strong>Barbora Hor\u00e1kov\u00e1\u2019s<\/strong> production with the <strong>Akademie f\u00fcr Alte Musik Berlin<\/strong> at the <strong>Staatsoper Berlin<\/strong>.<\/span><\/p>\n<p class=\"isSelectedEnd\"><span style=\"font-size: 16px; font-family: Brandon Grotesque; color: #000000;\">Further engagements took her to the <strong>Salzburg Festival<\/strong> as Soprano I in <strong>Mozart\u2019s<\/strong> <em>Mass in C minor<\/em>, as well as to the <strong>Tonhalle Z\u00fcrich<\/strong> with <strong>Haydn\u2019s<\/strong> <em>The Creation<\/em>. She also performed <strong>Mahler\u2019s<\/strong> <em>Resurrection Symphony<\/em> at the <strong>Gstaad Menuhin Festival<\/strong> under the direction of <strong>Jaap van Zweden<\/strong>, <strong>Brahms\u2019<\/strong> <em>A German Requiem<\/em> together with the <strong>Bochum Symphony Orchestra<\/strong>, and <strong>Bach\u2019s<\/strong> <em>St John Passion<\/em> with the <strong>Orquesta Filarm\u00f3nica de Gran Canaria<\/strong> under the direction of <strong>Karel Mark Chichon<\/strong>.<\/span><\/p>\n<p class=\"isSelectedEnd\"><span style=\"font-size: 16px; font-family: Brandon Grotesque; color: #000000;\">With <strong>Collegium 1704<\/strong> under the direction of <strong>V\u00e1clav Luks<\/strong>, she sang the role of <strong>Isacco<\/strong> in <strong>Myslive\u010dek\u2019s<\/strong> impressive work <em>Abramo ed Isacco<\/em> at venues including the <strong>Rudolfinum<\/strong> in <strong>Prague<\/strong> and the <strong>Concertgebouw Amsterdam<\/strong>, as well as the title role in <strong>Handel\u2019s<\/strong> oratorio <em>Susanna<\/em> at the <strong>Litomy\u0161l Smetana Festival<\/strong>.<\/span><\/p>\n<p class=\"isSelectedEnd\"><span style=\"font-size: 16px; font-family: Brandon Grotesque; color: #000000;\">With the <strong>Basel Chamber Orchestra<\/strong>, she recently performed <strong>Handel\u2019s<\/strong> <em>Aci, Galatea e Polifemo<\/em> in <strong>Barcelona<\/strong>, <strong>Vienna<\/strong>, and <strong>Basel<\/strong>, as well as at the <strong>Halle Handel Festival<\/strong>; with the same work, she also made her Canadian debut with the <strong>Arion Baroque Orchestra<\/strong> in <strong>Montr\u00e9al<\/strong>.<\/span><\/p>\n<p><span style=\"font-size: 16px; font-family: Brandon Grotesque; color: #000000;\">In the role of <strong>Piacere<\/strong> in <strong>Handel\u2019s<\/strong> <em>Il trionfo del Tempo e del Disinganno<\/em>, she appeared together with the <strong>B\u2019Rock Orchestra<\/strong> under the direction of <strong>Ren\u00e9 Jacobs<\/strong> at the <strong>Tongyeong International Music Festival<\/strong>, the <strong>Seoul Arts Center<\/strong>, and <strong>Tokyo Opera City<\/strong>.<\/span><\/p>\n<h3><strong><noscript><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-16498 alignleft\" src=\"https:\/\/katerynakasper.de\/wp-content\/uploads\/2024\/12\/4-640x800.png\" alt width=\"537\" height=\"671\" srcset=\"https:\/\/katerynakasper.de\/wp-content\/uploads\/2024\/12\/4-640x800.png 640w, https:\/\/katerynakasper.de\/wp-content\/uploads\/2024\/12\/4-819x1024.png 819w, https:\/\/katerynakasper.de\/wp-content\/uploads\/2024\/12\/4-768x960.png 768w, https:\/\/katerynakasper.de\/wp-content\/uploads\/2024\/12\/4-10x12.png 10w, https:\/\/katerynakasper.de\/wp-content\/uploads\/2024\/12\/4-19x24.png 19w, https:\/\/katerynakasper.de\/wp-content\/uploads\/2024\/12\/4-1000x1250.png 1000w, https:\/\/katerynakasper.de\/wp-content\/uploads\/2024\/12\/4-448x560.png 448w, https:\/\/katerynakasper.de\/wp-content\/uploads\/2024\/12\/4-600x750.png 600w, https:\/\/katerynakasper.de\/wp-content\/uploads\/2024\/12\/4.png 1080w\" sizes=\"(max-width: 537px) 100vw, 537px\"><\/noscript><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-16498 alignleft lazyload\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%22http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%22%20viewBox%3D%220%200%20537%20671%22%3E%3C%2Fsvg%3E\" alt width=\"537\" height=\"671\" srcset=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%22http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%22%20viewBox%3D%220%200%20537%20671%22%3E%3C%2Fsvg%3E 537w\" sizes=\"(max-width: 537px) 100vw, 537px\" data-srcset=\"https:\/\/katerynakasper.de\/wp-content\/uploads\/2024\/12\/4-640x800.png 640w, https:\/\/katerynakasper.de\/wp-content\/uploads\/2024\/12\/4-819x1024.png 819w, https:\/\/katerynakasper.de\/wp-content\/uploads\/2024\/12\/4-768x960.png 768w, https:\/\/katerynakasper.de\/wp-content\/uploads\/2024\/12\/4-10x12.png 10w, https:\/\/katerynakasper.de\/wp-content\/uploads\/2024\/12\/4-19x24.png 19w, https:\/\/katerynakasper.de\/wp-content\/uploads\/2024\/12\/4-1000x1250.png 1000w, https:\/\/katerynakasper.de\/wp-content\/uploads\/2024\/12\/4-448x560.png 448w, https:\/\/katerynakasper.de\/wp-content\/uploads\/2024\/12\/4-600x750.png 600w, https:\/\/katerynakasper.de\/wp-content\/uploads\/2024\/12\/4.png 1080w\" data-src=\"https:\/\/katerynakasper.de\/wp-content\/uploads\/2024\/12\/4-640x800.png\"><\/strong><\/h3>\n<figure id=\"attachment_6227\" aria-describedby=\"caption-attachment-6227\" style=\"width: 611px\" class=\"wp-caption alignright\"><noscript><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-6227\" src=\"https:\/\/katerynakasper.de\/wp-content\/uploads\/2023\/01\/221117_33121-scaled-1-800x533.jpg\" alt=\"\u00a9Martin Mu\u0308ller\" width=\"611\" height=\"407\" srcset=\"https:\/\/katerynakasper.de\/wp-content\/uploads\/2023\/01\/221117_33121-scaled-1-800x533.jpg 800w, https:\/\/katerynakasper.de\/wp-content\/uploads\/2023\/01\/221117_33121-scaled-1-18x12.jpg 18w, https:\/\/katerynakasper.de\/wp-content\/uploads\/2023\/01\/221117_33121-scaled-1-768x512.jpg 768w, https:\/\/katerynakasper.de\/wp-content\/uploads\/2023\/01\/221117_33121-scaled-1-1024x683.jpg 1024w, https:\/\/katerynakasper.de\/wp-content\/uploads\/2023\/01\/221117_33121-scaled-1-1536x1024.jpg 1536w, https:\/\/katerynakasper.de\/wp-content\/uploads\/2023\/01\/221117_33121-scaled-1-2048x1366.jpg 2048w, https:\/\/katerynakasper.de\/wp-content\/uploads\/2023\/01\/221117_33121-scaled-1-2000x1334.jpg 2000w, https:\/\/katerynakasper.de\/wp-content\/uploads\/2023\/01\/221117_33121-scaled-1-1000x667.jpg 1000w, https:\/\/katerynakasper.de\/wp-content\/uploads\/2023\/01\/221117_33121-scaled-1-1800x1200.jpg 1800w, https:\/\/katerynakasper.de\/wp-content\/uploads\/2023\/01\/221117_33121-scaled-1-840x560.jpg 840w, https:\/\/katerynakasper.de\/wp-content\/uploads\/2023\/01\/221117_33121-scaled-1-600x400.jpg 600w, https:\/\/katerynakasper.de\/wp-content\/uploads\/2023\/01\/221117_33121-scaled-1-1200x800.jpg 1200w, https:\/\/katerynakasper.de\/wp-content\/uploads\/2023\/01\/221117_33121-scaled-1-300x200.jpg 300w\" sizes=\"(max-width: 611px) 100vw, 611px\"><\/noscript><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-6227 lazyload\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%22http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%22%20viewBox%3D%220%200%20611%20407%22%3E%3C%2Fsvg%3E\" alt=\"\u00a9Martin Mu\u0308ller\" width=\"611\" height=\"407\" srcset=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%22http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%22%20viewBox%3D%220%200%20611%20407%22%3E%3C%2Fsvg%3E 611w\" sizes=\"(max-width: 611px) 100vw, 611px\" data-srcset=\"https:\/\/katerynakasper.de\/wp-content\/uploads\/2023\/01\/221117_33121-scaled-1-800x533.jpg 800w, https:\/\/katerynakasper.de\/wp-content\/uploads\/2023\/01\/221117_33121-scaled-1-18x12.jpg 18w, https:\/\/katerynakasper.de\/wp-content\/uploads\/2023\/01\/221117_33121-scaled-1-768x512.jpg 768w, https:\/\/katerynakasper.de\/wp-content\/uploads\/2023\/01\/221117_33121-scaled-1-1024x683.jpg 1024w, https:\/\/katerynakasper.de\/wp-content\/uploads\/2023\/01\/221117_33121-scaled-1-1536x1024.jpg 1536w, https:\/\/katerynakasper.de\/wp-content\/uploads\/2023\/01\/221117_33121-scaled-1-2048x1366.jpg 2048w, https:\/\/katerynakasper.de\/wp-content\/uploads\/2023\/01\/221117_33121-scaled-1-2000x1334.jpg 2000w, https:\/\/katerynakasper.de\/wp-content\/uploads\/2023\/01\/221117_33121-scaled-1-1000x667.jpg 1000w, https:\/\/katerynakasper.de\/wp-content\/uploads\/2023\/01\/221117_33121-scaled-1-1800x1200.jpg 1800w, https:\/\/katerynakasper.de\/wp-content\/uploads\/2023\/01\/221117_33121-scaled-1-840x560.jpg 840w, https:\/\/katerynakasper.de\/wp-content\/uploads\/2023\/01\/221117_33121-scaled-1-600x400.jpg 600w, https:\/\/katerynakasper.de\/wp-content\/uploads\/2023\/01\/221117_33121-scaled-1-1200x800.jpg 1200w, https:\/\/katerynakasper.de\/wp-content\/uploads\/2023\/01\/221117_33121-scaled-1-300x200.jpg 300w\" data-src=\"https:\/\/katerynakasper.de\/wp-content\/uploads\/2023\/01\/221117_33121-scaled-1-800x533.jpg\"><figcaption id=\"caption-attachment-6227\" class=\"wp-caption-text\">\u00a9Martin Mu\u0308ller<\/figcaption><\/figure>\n<h3><span style=\"font-size: 20px;\"><strong><span style=\"font-family: Brandon Grotesque; color: #000000;\">OPERA<\/span><\/strong><\/span><\/h3>\n<p><span style=\"font-size: 16px; font-family: Brandon Grotesque; color: #000000;\">From 2014 to 2024, Kasper was a member of the ensemble at her home opera house, <strong>Oper Frankfurt<\/strong>, where she embodied a wide range of roles spanning from Baroque to contemporary opera. These included <strong>Anima<\/strong> in <strong>Cavalieri\u2019s<\/strong> <em>Rappresentazione di anima e di corpo<\/em>, <strong>Giacinta<\/strong> in <strong>Cesti\u2019s<\/strong> <em>L\u2019Orontea<\/em>, <strong>Romilda<\/strong>, <strong>Oriana<\/strong>, <strong>Angelica<\/strong>, and <strong>Tigrane<\/strong> in <strong>Handel\u2019s<\/strong> <em>Xerxes<\/em>, <em>Amadigi<\/em>, <em>Orlando<\/em>, and <em>Radamisto<\/em>; <strong>Angelica<\/strong> in <strong>Vivaldi\u2019s<\/strong> <em>Orlando furioso<\/em>; <strong>Susanna<\/strong>, <strong>Pamina<\/strong>, <strong>Zerlina<\/strong>, and <strong>Venus<\/strong> in <strong>Mozart\u2019s<\/strong> <em>Le nozze di Figaro<\/em>, <em>Die Zauberfl\u00f6te<\/em>, <em>Don Giovanni<\/em>, and <em>Ascanio in Alba<\/em>; <strong>Antonida<\/strong> in <strong>Glinka\u2019s<\/strong> <em>Ivan Susanin<\/em>; the title role in <strong>Flotow\u2019s<\/strong> <em>Martha<\/em>; <strong>Gretel<\/strong> in <strong>Humperdinck\u2019s<\/strong> <em>H\u00e4nsel und Gretel<\/em>; <strong>Nannetta<\/strong> in <strong>Verdi\u2019s<\/strong> <em>Falstaff<\/em>; <strong>Sophie<\/strong> in <strong>Strauss\u2019<\/strong> <em>Der Rosenkavalier<\/em>; <strong>Titania<\/strong> in <strong>Britten\u2019s<\/strong> <em>A Midsummer Night\u2019s Dream<\/em>; and <strong>the Young Woman<\/strong> in the world premiere of <em>Der Goldene Drache<\/em> \u2013 a role written for her by <strong>P\u00e9ter E\u00f6tv\u00f6s<\/strong> and presented in co-production with <strong>Ensemble Modern<\/strong>. She has also performed operetta roles such as <strong>Countess Anastasia<\/strong> in <strong>K\u00e1lm\u00e1n\u2019s<\/strong> <em>Die Cs\u00e1rd\u00e1sf\u00fcrstin<\/em> and <strong>Valencienne<\/strong> in <strong>Leh\u00e1r\u2019s<\/strong> <em>Die lustige Witwe<\/em>.<\/span><\/p>\n<p><span style=\"font-size: 16px; font-family: Brandon Grotesque; color: #000000;\">Operatic engagements have taken Kateryna Kasper to festivals in <strong>Edinburgh<\/strong>, <strong>Bregenz<\/strong>, <strong>Bergen<\/strong>, and <strong>St. Margarethen<\/strong>, as well as to <strong>Los Angeles Opera<\/strong>, <strong>Staatsoper Berlin<\/strong>, and <strong>Nationaltheater Mannheim<\/strong>. On a European tour with the <strong>B\u2019Rock Orchestra<\/strong> under <strong>Ren\u00e9 Jacobs<\/strong>, she performed the role of <strong>Orasia<\/strong> in <strong>Telemann\u2019s<\/strong> <em>Orpheus<\/em>, with performances at the <strong>Liceu<\/strong> in <strong>Barcelona<\/strong> and the <strong>Concertgebouw<\/strong> in <strong>Amsterdam<\/strong>.<\/span><\/p>\n<h3>&nbsp;<\/h3>\n<h3><span style=\"font-size: 20px; font-family: Brandon Grotesque; color: #000000;\">CONCERT<\/span><\/h3>\n<h3><noscript><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-15517 alignright\" src=\"https:\/\/katerynakasper.de\/wp-content\/uploads\/2025\/02\/266311587_10165813575085181_2104344325355061329_n-e1756211082894-800x766.jpg\" alt width =\"535\" height=\"513\" srcset=\"https:\/\/katerynakasper.de\/wp-content\/uploads\/2025\/02\/266311587_10165813575085181_2104344325355061329_n-e1756211082894-800x766.jpg 800w, https:\/\/katerynakasper.de\/wp-content\/uploads\/2025\/02\/266311587_10165813575085181_2104344325355061329_n-e1756211082894-768x735.jpg 768w, https:\/\/katerynakasper.de\/wp-content\/uploads\/2025\/02\/266311587_10165813575085181_2104344325355061329_n-e1756211082894-13x12.jpg 13w, https:\/\/katerynakasper.de\/wp-content\/uploads\/2025\/02\/266311587_10165813575085181_2104344325355061329_n-e1756211082894-24x24.jpg 24w, https:\/\/katerynakasper.de\/wp-content\/uploads\/2025\/02\/266311587_10165813575085181_2104344325355061329_n-e1756211082894-585x560.jpg 585w, https:\/\/katerynakasper.de\/wp-content\/uploads\/2025\/02\/266311587_10165813575085181_2104344325355061329_n-e1756211082894-600x574.jpg 600w, https:\/\/katerynakasper.de\/wp-content\/uploads\/2025\/02\/266311587_10165813575085181_2104344325355061329_n-e1756211082894.jpg 888w\" sizes=\"auto, (max-width: 535px) 100vw, 535px\"><\/noscript><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-15517 alignright lazyload\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%22http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%22%20viewBox%3D%220%200%20535%20513%22%3E%3C%2Fsvg%3E\" alt width =\"535\" height=\"513\" srcset=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%22http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%22%20viewBox%3D%220%200%20535%20513%22%3E%3C%2Fsvg%3E 535w\" sizes=\"auto, (max-width: 535px) 100vw, 535px\" data-srcset=\"https:\/\/katerynakasper.de\/wp-content\/uploads\/2025\/02\/266311587_10165813575085181_2104344325355061329_n-e1756211082894-800x766.jpg 800w, https:\/\/katerynakasper.de\/wp-content\/uploads\/2025\/02\/266311587_10165813575085181_2104344325355061329_n-e1756211082894-768x735.jpg 768w, https:\/\/katerynakasper.de\/wp-content\/uploads\/2025\/02\/266311587_10165813575085181_2104344325355061329_n-e1756211082894-13x12.jpg 13w, https:\/\/katerynakasper.de\/wp-content\/uploads\/2025\/02\/266311587_10165813575085181_2104344325355061329_n-e1756211082894-24x24.jpg 24w, https:\/\/katerynakasper.de\/wp-content\/uploads\/2025\/02\/266311587_10165813575085181_2104344325355061329_n-e1756211082894-585x560.jpg 585w, https:\/\/katerynakasper.de\/wp-content\/uploads\/2025\/02\/266311587_10165813575085181_2104344325355061329_n-e1756211082894-600x574.jpg 600w, https:\/\/katerynakasper.de\/wp-content\/uploads\/2025\/02\/266311587_10165813575085181_2104344325355061329_n-e1756211082894.jpg 888w\" data-src=\"https:\/\/katerynakasper.de\/wp-content\/uploads\/2025\/02\/266311587_10165813575085181_2104344325355061329_n-e1756211082894-800x766.jpg\"><\/h3>\n<p class=\"isSelectedEnd\"><span style=\"font-size: 16px; font-family: Brandon Grotesque; color: #000000;\">Alongside her international opera career, the concert and art song repertoire forms a central part of Kateryna Kasper\u2019s artistic profile. Her wide-ranging repertoire extends from the Baroque oratorios and Passions \u2013 including works by <strong>Johann Sebastian Bach<\/strong> and <strong>Georg Philipp Telemann<\/strong> \u2013 through the great Classical and Romantic works of <strong>Haydn<\/strong>, <strong>Mozart<\/strong>, <strong>Mendelssohn<\/strong>, <strong>Schubert<\/strong>, <strong>Schumann<\/strong>, <strong>Brahms<\/strong>, and <strong>Dvo\u0159\u00e1k<\/strong>, to compositions of the 20th and 21st centuries, including works by <strong>Poulenc<\/strong>, <strong>Stravinsky<\/strong>, and <strong>Henze<\/strong>.<\/span><\/p>\n<p class=\"isSelectedEnd\"><span style=\"font-size: 16px; font-family: Brandon Grotesque; color: #000000;\">She has worked with numerous leading orchestras and ensembles, including the <strong>Freiburg Baroque Orchestra<\/strong>, the <strong>Akademie f\u00fcr Alte Musik Berlin<\/strong>, <strong>Collegium 1704<\/strong>, <strong>Ensemble Modern<\/strong>, <strong>Holland Baroque<\/strong>, the <strong>Konzerthausorchester Berlin<\/strong>, the <strong>London Philharmonic Orchestra<\/strong>, the <strong>Orquestra Gulbenkian Lisbon<\/strong>, the <strong>Orquestra Sinf\u00f3nica do Porto<\/strong>, and the <strong>Turku Philharmonic Orchestra<\/strong>.<\/span><\/p>\n<p class=\"isSelectedEnd\"><span style=\"font-size: 16px; font-family: Brandon Grotesque; color: #000000;\">She has been a guest at the <strong>Bachwoche Stuttgart<\/strong>, the <strong>Grafenegg Festival<\/strong>, the <strong>H\u00e4ndel Festivals in Halle and Karlsruhe<\/strong>, the <strong>Klangvokal Musikfestival Dortmund<\/strong>, the <strong>Telemann Festival Magdeburg<\/strong>, and the <strong>Tongyeong International Music Festival<\/strong>. Concert engagements have taken her to renowned venues such as the <strong>Alte Oper Frankfurt<\/strong>, the <strong>Elbphilharmonie Hamburg<\/strong>, the <strong>Philharmonies in Cologne, Moscow, and Paris<\/strong>, the <strong>Seoul Arts Center<\/strong>, the <strong>Th\u00e9\u00e2tre des Champs-\u00c9lys\u00e9es<\/strong> in <strong>Paris<\/strong>, and <strong>Tokyo Opera City<\/strong>.<\/span><\/p>\n<p class=\"isSelectedEnd\"><span style=\"font-size: 16px; font-family: Brandon Grotesque; color: #000000;\">A particular focus of her concert repertoire lies in the works of <strong>J. S. Bach<\/strong> and <strong>G. F. Handel<\/strong>. International recognition was achieved by her tour of <strong>Bach\u2019s<\/strong> <em>St Matthew Passion<\/em> with the <strong>Freiburg Baroque Orchestra<\/strong> under the direction of <strong>Francesco Corti<\/strong>, which took her throughout Europe and South Korea. She has performed <strong>Bach\u2019s<\/strong> <em>Christmas Oratorio<\/em> among others with the <strong>Vienna Symphony Orchestra<\/strong> at the <strong>Wiener Konzerthaus<\/strong>, at the <strong>Isarphilharmonie Munich<\/strong> under <strong>Patrick Hahn<\/strong>, as well as with the <strong>Freiburg Baroque Orchestra<\/strong> and the <strong>Nederlands Kamerkoor<\/strong> under <strong>Peter Dijkstra<\/strong> at the <strong>Tauber Philharmonie<\/strong>, the <strong>K\u00f6lner Philharmonie<\/strong>, and the <strong>Konzerthaus Freiburg<\/strong>.<\/span><\/p>\n<p class=\"isSelectedEnd\"><span style=\"font-size: 16px; font-family: Brandon Grotesque; color: #000000;\">Her further interpretations of <strong>Bach<\/strong> include <em>St John Passion<\/em> with <strong>Ensemble Pygmalion<\/strong> under <strong>Rapha\u00ebl Pichon<\/strong> at the <strong>Grand Th\u00e9\u00e2tre de Provence<\/strong>, the <strong>Philharmonie Paris<\/strong>, the <strong>Op\u00e9ra de Lille<\/strong>, and the <strong>Th\u00e9\u00e2tre de Caen<\/strong>. In addition, she has performed numerous sacred works by <strong>Bach<\/strong> and <strong>Handel<\/strong> with the <strong>Bach-Ensemble Wiesbaden<\/strong> under <strong>Martin Lutz<\/strong>, <strong>J\u00f6rg Endebrock<\/strong>, and <strong>Tobias Koriath<\/strong> in <strong>Wiesbaden<\/strong>, <strong>Hamburg<\/strong>, and <strong>Frankfurt<\/strong>.<\/span><\/p>\n<p class=\"isSelectedEnd\"><span style=\"font-size: 16px; font-family: Brandon Grotesque; color: #000000;\">Her interpretations of <strong>Handel<\/strong> include <em>Messiah<\/em> with the <strong>NDR Vokalensemble<\/strong> and <strong>Holland Baroque<\/strong> under <strong>Klaas Stok<\/strong> at the <strong>Elbphilharmonie Hamburg<\/strong>. Together with <strong>Ren\u00e9 Jacobs<\/strong> and the <strong>Freiburg Baroque Orchestra<\/strong>, she devoted herself to Handel\u2019s virtuoso cantatas <em>Delirio amoroso<\/em> and <em>Apollo e Dafne<\/em>, which she performed at the <strong>Festival d\u2019Ambronay<\/strong>, the <strong>Settimane Musicali Ascona<\/strong>, and the festival <em>Erasmus klingt!<\/em> in <strong>Basel<\/strong>. She has also interpreted works by <strong>Pergolesi<\/strong>, including <em>Salve Regina<\/em> and <em>Stabat Mater<\/em>, cantatas by <strong>Telemann<\/strong>, as well as compositions by <strong>Reinhard Keiser<\/strong>, <strong>Stradella<\/strong>, and <strong>Scarlatti<\/strong> in collaboration with <strong>Michael Schneider<\/strong>. <\/span><\/p>\n<figure id=\"attachment_16268\" aria-describedby=\"caption-attachment-16268\" style=\"width: 535px\" class=\"wp-caption alignleft\"><noscript><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-16268\" src=\"https:\/\/katerynakasper.de\/wp-content\/uploads\/2025\/07\/ascanio_in_alba_111-e1754771419661-596x800.jpg\" alt=\"(c) Monika Rittershaus\" width=\"535\" height=\"718\"><\/noscript><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-16268 lazyload\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%22http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%22%20viewBox%3D%220%200%20535%20718%22%3E%3C%2Fsvg%3E\" alt=\"(c) Monika Rittershaus\" width=\"535\" height=\"718\" data-src=\"https:\/\/katerynakasper.de\/wp-content\/uploads\/2025\/07\/ascanio_in_alba_111-e1754771419661-596x800.jpg\"><figcaption id=\"caption-attachment-16268\" class=\"wp-caption-text\">(c) Monika Rittershaus<\/figcaption><\/figure>\n<p class=\"isSelectedEnd\"><span style=\"font-size: 16px; font-family: Brandon Grotesque; color: #000000;\">Another focus lies on the concert repertoire of <strong>Haydn<\/strong> and <strong>Mozart<\/strong>. She performed <strong>Haydn\u2019s<\/strong> <em>The Creation<\/em> at the <strong>Tonhalle Z\u00fcrich<\/strong> under <strong>Heinz B\u00e4hler<\/strong>, and <em>The Seven Last Words of Our Saviour on the Cross<\/em> with the <strong>RIAS Kammerchor<\/strong> and the <strong>Konzerthausorchester Berlin<\/strong> under <strong>Justin Doyle<\/strong>; the recording of this concert was released in 2026 by <strong>Harmonia Mundi<\/strong>. In addition, she interpreted <strong>Haydn\u2019s<\/strong> cantata <em>Miseri noi, misera patria<\/em> in <strong>Oslo<\/strong> with <strong>Kristin von der Goltz<\/strong> and the <strong>Barokkanerne Norwegian Baroque Ensemble<\/strong>.<\/span><\/p>\n<p class=\"isSelectedEnd\"><span style=\"font-size: 16px; font-family: Brandon Grotesque; color: #000000;\">With the <strong>London Philharmonic Orchestra<\/strong> and the <strong>London Philharmonic Choir<\/strong>, she sang <strong>Mozart\u2019s<\/strong> <em>Requiem<\/em> under <strong>Nathalie Stutzmann<\/strong> at the <strong>Royal Festival Hall<\/strong> in <strong>London<\/strong>. Further performances of <strong>Mozart\u2019s<\/strong> <em>Requiem<\/em> and <em>Vesperae solennes de Confessore<\/em> were given with <strong>Hans-Christoph Rademann<\/strong> and the choir and orchestra of the <strong>Gaechinger Kantorei<\/strong> at the <strong>Th\u00e9\u00e2tre des Champs-\u00c9lys\u00e9es<\/strong> in <strong>Paris<\/strong>. With <strong>L\u2019Orchestre des Champs-\u00c9lys\u00e9es<\/strong> under <strong>Alessandro Moccia<\/strong>, she created a Mozart aria programme, and with the <strong>Freiburg Baroque Orchestra<\/strong> under <strong>Kristian Bezuidenhout<\/strong>, she performed the concert aria <em>Ch\u2019io mi scordi di te<\/em> at the <strong>Mozartfest Augsburg<\/strong>. Together with the <strong>Cologne Chamber Orchestra<\/strong> under <strong>Christoph Poppen<\/strong>, she appeared among others with <strong>Mozart\u2019s<\/strong> <em>Exsultate, jubilate<\/em> as well as works by <strong>Dieterich Buxtehude<\/strong> and <strong>Vasyl Barvinsky<\/strong>.<\/span><\/p>\n<p class=\"isSelectedEnd\"><span style=\"font-size: 16px; font-family: Brandon Grotesque; color: #000000;\">The Romantic oratorio repertoire also occupies an important place in her concert work. At the <strong>Savonlinna Opera Festival<\/strong>, she performed <strong>Schubert\u2019s<\/strong> <em>Mass in A-flat major<\/em>. With the <strong>Frankfurt Opera and Museum Orchestra<\/strong> under <strong>Sebastian Weigle<\/strong>, she appeared in <strong>Mendelssohn\u2019s<\/strong> <em>Paulus<\/em> and <em>Elijah<\/em> as well as <strong>Schumann\u2019s<\/strong> <em>Scenes from Goethe\u2019s Faust<\/em>. Her repertoire also includes <strong>Dvo\u0159\u00e1k\u2019s<\/strong> <em>Requiem<\/em>, <em>Stabat Mater<\/em>, and numerous other works of the sacred choral symphonic repertoire.<\/span><\/p>\n<p class=\"isSelectedEnd\"><span style=\"font-size: 16px; font-family: Brandon Grotesque; color: #000000;\">Her symphonic concert projects include <strong>Gustav Mahler\u2019s<\/strong> <em>Resurrection Symphony<\/em> at the <strong>Menuhin Festival<\/strong> under <strong>Jaap van Zweden<\/strong>. She has performed <strong>Mahler\u2019s<\/strong> Symphony No. 4, among others, at the <strong>L\u00e9man Lyriques Festival<\/strong> with <strong>L\u2019Orchestre Symphonique Ose<\/strong> under <strong>Daniel Kawka<\/strong>, as well as at the <strong>Alte Oper Frankfurt<\/strong> with the <strong>Frankfurt Opera and Museum Orchestra<\/strong> under <strong>Katharina Wincor<\/strong>. The same concert programme also included <strong>Franz Schubert\u2019s<\/strong> <em>Die junge Nonne<\/em>, <em>Gretchen am Spinnrade<\/em>, <em>Lied der Mignon<\/em>, and <em>Erlk\u00f6nig<\/em> in the orchestral arrangements by <strong>Franz Liszt<\/strong>.<\/span><\/p>\n<p><span style=\"font-size: 16px; font-family: Brandon Grotesque; color: #000000;\">Furthermore, she has interpreted <strong>Hans Werner Henze\u2019s<\/strong> <em>Being Beauteous<\/em> with <strong>Ensemble Modern<\/strong> under <strong>Brad Lubman<\/strong> at the <strong>Alte Oper Frankfurt<\/strong>, as well as with the musicians of the <strong>Frankfurt Opera and Museum Orchestra<\/strong>.<\/span><\/p>\n<p><strong><span style=\"font-size: 20px; font-family: Brandon Grotesque; color: #000000;\">LIED<\/span><\/strong><\/p>\n<p class=\"isSelectedEnd\"><span style=\"font-size: 16px; font-family: Brandon Grotesque; color: #000000;\">With great passion, Kateryna Kasper devotes herself to the art of song, particularly to the German and Ukrainian Romantic repertoire. Together with pianist <strong>Dmitry Ablogin<\/strong>, she has developed numerous song programmes and recorded an album featuring songs by the <strong>Mendelssohn siblings<\/strong>, including several world premiere recordings of works by <strong>Fanny Hensel<\/strong>. Together, they have also explored works by <strong>Clara Schumann<\/strong>, <strong>Johannes Brahms<\/strong>, <strong>Sergii Bortkevych<\/strong>, <strong>Vasyl Barvinsky<\/strong>, <strong>Stanyslaw Liudkevych<\/strong>, <strong>Kyrylo Stetsenko<\/strong>, <strong>Yakiv Stepovyi<\/strong>, <strong>Mykola Lysenko<\/strong>, <strong>Nikolai Roslavets<\/strong>, and <strong>Nikolai Medtner<\/strong>. Their joint concerts have taken them, among others, to the <strong>HICSUM Festival Herlufsholm<\/strong> in <strong>Denmark<\/strong> as well as to the <strong>Mirjam Helin Concert for Ukraine<\/strong> at the <strong>Helsinki Music Centre<\/strong>. Their interpretation of <strong>Robert Schumann\u2019s<\/strong> song cycle <em>Dichterliebe<\/em> was created in April 2023 as a concert film production at <strong>Schloss Wei\u00dfenbrunn<\/strong> on a historic <strong>Pleyel fortepiano<\/strong> from 1836; the film production was realised by <strong>Culiner Creative Circle<\/strong>.<\/span><\/p>\n<p class=\"isSelectedEnd\"><span style=\"font-size: 16px; font-family: Brandon Grotesque; color: #000000;\">Kateryna Kasper has enjoyed a long-standing artistic collaboration with pianist <strong>Hilko Dumno<\/strong>. Together, they have created numerous song recitals featuring works by <strong>Schumann<\/strong>, <strong>Brahms<\/strong>, <strong>Schubert<\/strong>, <strong>Rachmaninoff<\/strong>, <strong>Mussorgsky<\/strong>, <strong>Reimann<\/strong>, <strong>Bernstein<\/strong>, <strong>Prokofiev<\/strong>, <strong>Barber<\/strong>, <strong>Rimsky-Korsakov<\/strong>, <strong>Loewe<\/strong>, <strong>Ravel<\/strong>, <strong>Messiaen<\/strong>, and <strong>Piazzolla<\/strong>. This collaboration also resulted in her debut album <em>O w\u00fc\u00dft ich doch den Weg zur\u00fcck \u2026<\/em>, recorded at the <strong>Richard Wagner Museum Villa Wahnfried<\/strong>.<\/span><\/p>\n<p class=\"isSelectedEnd\"><span style=\"font-size: 16px; font-family: Brandon Grotesque; color: #000000;\">In addition, Kateryna Kasper collaborates with pianists such as <strong>Marcelo Amaral<\/strong>, <strong>Lars J\u00f6nsson<\/strong>, <strong>Jonathan Ware<\/strong>, and <strong>Henning Lucius<\/strong>. Together with <strong>Marcelo Amaral<\/strong>, she has devoted herself, among other projects, to settings of <strong>Goethe<\/strong> by <strong>Hugo Wolf<\/strong>, <strong>Schumann<\/strong>, and <strong>Schubert<\/strong>. With <strong>Lars J\u00f6nsson<\/strong>, she has developed programmes featuring works by <strong>Strauss<\/strong>, <strong>Grieg<\/strong>, <strong>Poulenc<\/strong>, <strong>Debussy<\/strong>, <strong>Barber<\/strong>, and <strong>Liszt<\/strong>.<\/span><\/p>\n<p class=\"isSelectedEnd\"><span style=\"font-size: 16px; font-family: Brandon Grotesque; color: #000000;\">Her song repertoire also includes <strong>Hindemith\u2019s<\/strong> <em>Das Marienleben<\/em> as well as <strong>Brahms\u2019<\/strong> <em>Liebeslieder-Walzer<\/em>.<\/span><\/p>\n<p><span style=\"font-size: 16px; font-family: Brandon Grotesque; color: #000000;\">Another significant chamber music partnership connects her with the <strong>Trio Vivente<\/strong> (<strong>Kristin von der Goltz<\/strong>, cello; <strong>Anne Katharina Schreiber<\/strong>, violin; <strong>Jutta Ernst<\/strong>, piano). Together, they perform works including <strong>Mieczys\u0142aw Weinberg\u2019s<\/strong> <em>Jewish Songs for Soprano and Piano Trio<\/em>, Op. 13, as well as <strong>Dmitri Shostakovich\u2019s<\/strong> <em>Romance Suite for Soprano and Piano Trio<\/em>, Op. 127.<\/span><\/p>\n<p><strong><span style=\"font-size: 20px; font-family: Brandon Grotesque; color: #000000;\">COLLABORATIONS&nbsp;<\/span><\/strong><\/p>\n<p class=\"isSelectedEnd\"><span style=\"font-size: 16px; font-family: Brandon Grotesque; color: #000000;\">Kateryna Kasper has worked with <strong>conductors<\/strong> such as Heinz B\u00e4hler, Ivor Bolton, Roland B\u00f6er, Hubert Buchberger, Constantinos Carydis, Karel Mark Chichon, Francesco Corti, Laurence Cummings, Peter Dijkstra, Justin Doyle, Bjarte Eike, Simone di Felice, Bernhard Forck, Michael Form, Alden Gatt, Howard Griffiths, Patrick Hahn, Florian Helgath, James Hendry, Michael Hofstetter, Leo Hussain, Karsten Januschke, Julia Jones, Hartmut Keil, Eun Sun Kim, Yi-Chen Lin, Florian Lohmann, V\u00e1clav Luks, Martin Lutz, Giuseppe Mentuccia, Takeshi Moriuchi, Fausto Nardi, Anthony Negus, Geoffrey Paterson, Rapha\u00ebl Pichon, Christoph Poppen, Hans-Christoph Rademann, Helmuth Rilling, Lukas Rommelspacher, Federico Maria Sardelli, Michael Schneider, Leif Segerstam, Steven Sloane, Andreas Spering, John Storg\u00e5rds, Nathalie Stutzmann, Constantin Trinks, Felice Venanzoni, Sebastian Weigle, Katharina Wincor, Sebastian Zierer, and Jaap van Zweden.<\/span><\/p>\n<p class=\"isSelectedEnd\"><span style=\"font-size: 16px; font-family: Brandon Grotesque; color: #000000;\">She has enjoyed fruitful collaborations with directors such as Andrea Bernard, Nina Brazier, J\u00f6rg Endebrock, Brigitte Fassbaender, Tom Goossens, Claus Guth, Barbora Hor\u00e1kov\u00e1, Ted Huffman, Netia Jones, Dorothea Kirschbaum, Barrie Kosky, Tilmann K\u00f6hler, Harry Kupfer, Beno\u00eet de Leersnyder, Jim Lucassen, Hendrik M\u00fcller, Cornelius Obonya, Jenny Ogilvie, Caterina Panti Liberovici, Carolin Pienkos, Hans Walter Richter, Victoria Stevens, Elisabeth St\u00f6ppler, and Walter Sutcliffe.<\/span><\/p>\n<p><span style=\"font-size: 16px; font-family: Brandon Grotesque; color: #000000;\">A special musical collaboration connects her with conductor Ren\u00e9 Jacobs and her chamber music partners, the Frankfurt-based ensemble th\u00e9\u00e2tre sans rideau, the Trio Vivente (Kristin von der Goltz, Anne Katharina Schreiber, Jutta Ernst), the Eliot Quartet, as well as pianists Dmitry Ablogin, Hilko Dumno, Marcelo Amaral, and Lars J\u00f6nsson.<\/span><\/p>\n<figure id=\"attachment_8606\" aria-describedby=\"caption-attachment-8606\" style=\"width: 531px\" class=\"wp-caption alignleft\"><noscript><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-8606\" src=\"https:\/\/katerynakasper.de\/wp-content\/uploads\/2024\/04\/DSC2510-7-533x800.jpg\" alt=\"\u00a9Andreas Kasper\" width=\"531\" height=\"797\" srcset=\"https:\/\/katerynakasper.de\/wp-content\/uploads\/2024\/04\/DSC2510-7-533x800.jpg 533w, https:\/\/katerynakasper.de\/wp-content\/uploads\/2024\/04\/DSC2510-7-768x1152.jpg 768w, https:\/\/katerynakasper.de\/wp-content\/uploads\/2024\/04\/DSC2510-7-1024x1536.jpg 1024w, https:\/\/katerynakasper.de\/wp-content\/uploads\/2024\/04\/DSC2510-7-1365x2048.jpg 1365w, https:\/\/katerynakasper.de\/wp-content\/uploads\/2024\/04\/DSC2510-7-8x12.jpg 8w, https:\/\/katerynakasper.de\/wp-content\/uploads\/2024\/04\/DSC2510-7-2000x3000.jpg 2000w, https:\/\/katerynakasper.de\/wp-content\/uploads\/2024\/04\/DSC2510-7-1000x1500.jpg 1000w, https:\/\/katerynakasper.de\/wp-content\/uploads\/2024\/04\/DSC2510-7-1800x2700.jpg 1800w, https:\/\/katerynakasper.de\/wp-content\/uploads\/2024\/04\/DSC2510-7-scaled.jpg 1707w\" sizes=\"auto, (max-width: 531px) 100vw, 531px\"><\/noscript><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-8606 lazyload\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%22http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%22%20viewBox%3D%220%200%20531%20797%22%3E%3C%2Fsvg%3E\" alt=\"\u00a9Andreas Kasper\" width=\"531\" height=\"797\" srcset=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%22http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%22%20viewBox%3D%220%200%20531%20797%22%3E%3C%2Fsvg%3E 531w\" sizes=\"auto, (max-width: 531px) 100vw, 531px\" data-srcset=\"https:\/\/katerynakasper.de\/wp-content\/uploads\/2024\/04\/DSC2510-7-533x800.jpg 533w, https:\/\/katerynakasper.de\/wp-content\/uploads\/2024\/04\/DSC2510-7-768x1152.jpg 768w, https:\/\/katerynakasper.de\/wp-content\/uploads\/2024\/04\/DSC2510-7-1024x1536.jpg 1024w, https:\/\/katerynakasper.de\/wp-content\/uploads\/2024\/04\/DSC2510-7-1365x2048.jpg 1365w, https:\/\/katerynakasper.de\/wp-content\/uploads\/2024\/04\/DSC2510-7-8x12.jpg 8w, https:\/\/katerynakasper.de\/wp-content\/uploads\/2024\/04\/DSC2510-7-2000x3000.jpg 2000w, https:\/\/katerynakasper.de\/wp-content\/uploads\/2024\/04\/DSC2510-7-1000x1500.jpg 1000w, https:\/\/katerynakasper.de\/wp-content\/uploads\/2024\/04\/DSC2510-7-1800x2700.jpg 1800w, https:\/\/katerynakasper.de\/wp-content\/uploads\/2024\/04\/DSC2510-7-scaled.jpg 1707w\" data-src=\"https:\/\/katerynakasper.de\/wp-content\/uploads\/2024\/04\/DSC2510-7-533x800.jpg\"><figcaption id=\"caption-attachment-8606\" class=\"wp-caption-text\">\u00a9Andreas Kasper<\/figcaption><\/figure>\n<h3><strong><span style=\"font-size: 20px; font-family: Brandon Grotesque; color: #000000;\">DISCOGRAPHY<\/span><\/strong><\/h3>\n<p class=\"isSelectedEnd\"><span style=\"font-size: 16px; font-family: Brandon Grotesque; color: #000000;\">Kasper\u2019s <strong>debut album <\/strong>&#8222;<em>O w\u00fc\u00dft ich doch den Weg zur\u00fcck \u2026&#8220;&nbsp;<\/em> brings together songs by 14 composers in a musical journey through the world of Romanticism \u2013 shaped by a longing for the mysterious, the irrational, the timeless, and the human, as well as by memories of childhood and imaginary worlds. The recording was made together with <strong>Hilko Dumno<\/strong> at the <strong>Villa Wahnfried<\/strong> in <strong>Bayreuth<\/strong> on <strong>Richard Wagner\u2019s<\/strong> historic <strong>Steinway grand piano<\/strong> from 1876 and was released in 2018 by <strong>TYXart<\/strong>.<\/span><\/p>\n<p class=\"isSelectedEnd\"><span style=\"font-size: 16px; font-family: Brandon Grotesque; color: #000000;\">In 2022, recordings were released featuring cycles by <strong>Shostakovich<\/strong> and <strong>Weinberg<\/strong> with the <strong>Trio Vivente<\/strong>, <strong>Weber\u2019s<\/strong> <em>Der Freisch\u00fctz<\/em> with the <strong>Freiburg Baroque Orchestra<\/strong> under <strong>Ren\u00e9 Jacobs<\/strong> (awarded the <strong>Opus Klassik<\/strong>), as well as her <strong>second art song album<\/strong> <em>&#8222;Ein s\u00fc\u00dfes Deingedenken&#8220;<\/em>, featuring songs by <strong>Fanny<\/strong> and <strong>Felix Mendelssohn<\/strong>, recorded with <strong>Dmitry Ablogin<\/strong> on a historic fortepiano from 1835 (nominated by the <strong>Opus Klassik<\/strong> as Best Chamber Music Recording).<\/span><\/p>\n<p><span style=\"font-size: 16px; font-family: Brandon Grotesque; color: #000000;\">The recording of <strong>Haydn\u2019s<\/strong> <em>The Seven Last Words of Our Saviour on the Cross<\/em> with the <strong>RIAS Kammerchor<\/strong> and the <strong>Konzerthausorchester Berlin<\/strong> under <strong>Justin Doyle<\/strong> was released in 2026.<\/span><\/p>\n<h3><span style=\"font-size: 20px;\"><strong><span style=\"font-family: Brandon Grotesque; color: #000000;\">EDUCATION AND AWARDS<\/span><\/strong><\/span><\/h3>\n<p class=\"isSelectedEnd\"><span style=\"font-size: 16px; font-family: Brandon Grotesque; color: #000000;\">Kasper studied with <strong>Raisa Kolesnik<\/strong> at the <strong>Prokofiev Music Academy<\/strong> in <strong>Donetsk, Ukraine<\/strong>, and subsequently in <strong>Nuremberg<\/strong> with <strong>Edith Wiens<\/strong> and in <strong>Frankfurt<\/strong> with <strong>Hedwig Fassbender<\/strong>, supported by a <strong>DAAD scholarship<\/strong>. In masterclasses, she worked among others with <strong>Ileana Cotruba\u0219<\/strong>, <strong>Margreet Honig<\/strong>, and <strong>Tobias Truniger<\/strong>.<\/span><\/p>\n<p><span style=\"font-size: 16px; font-family: Brandon Grotesque; color: #000000;\">In 2014, the soprano won the prestigious <strong>International Mirjam Helin Singing Competition<\/strong> in <strong>Helsinki<\/strong>. This was preceded by prizes at the <strong>International Vocal Competition IVC<\/strong> (<strong>Netherlands<\/strong>), the <strong>Queen Sonja International Music Competition<\/strong> (<strong>Oslo<\/strong>), and the <strong>Trude Eipperle-Rieger Lied Prize<\/strong>. In 2023, she was nominated for the <strong>OPUS KLASSIK<\/strong> in the category <strong>Singer of the Year<\/strong>.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-size: 16px; font-family: Brandon Grotesque; color: #000000;\"><\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-size: 16px; font-family: Brandon Grotesque; color: #000000;\">\n\n<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-size: 15px;\"><\/span><\/p><\/div><\/li><\/ul><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-b7561d7 e-grid e-con-full about--all e-con e-parent\" data-id=\"b7561d7\" data-element_type=\"container\" data-e-type=\"container\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t<div class=\"elementor-element elementor-element-203207e e-con-full floatingelement e-flex e-con e-child\" data-id=\"203207e\" data-element_type=\"container\" data-e-type=\"container\" data-settings=\"{&quot;background_background&quot;:&quot;gradient&quot;}\">\n\t\t\t\t<div class=\"elementor-element elementor-element-696ee52 elementor-widget elementor-widget-spacer\" data-id=\"696ee52\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-8e0f10a elementor-widget elementor-widget-html\" data-id=\"8e0f10a\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"html.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h999>Repertoire<\/h999>\n<div class=\"menu-repertoire-container\"><ul id=\"menu-repertoire\" class=\"repertoire_menu\"><li id=\"menu-item-15055\" class=\"menu-item menu-item-type-custom menu-item-object-custom menu-item-15055\"><a href=\"#repertoire-oper\" data-ps2id-api=\"true\">Opera<\/a><\/li>\n<li id=\"menu-item-15056\" class=\"menu-item menu-item-type-custom menu-item-object-custom menu-item-15056\"><a href=\"#repertoire-konzert\" data-ps2id-api=\"true\">Konzert<\/a><\/li>\n<li id=\"menu-item-15057\" class=\"menu-item menu-item-type-custom menu-item-object-custom menu-item-15057\"><a href=\"#repertoire-lied\" data-ps2id-api=\"true\">Lied<\/a><\/li>\n<\/ul><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-ea7f2f5 e-con-full e-flex e-con e-child\" data-id=\"ea7f2f5\" data-element_type=\"container\" data-e-type=\"container\" id=\"repertoire-oper\">\n\t\t\t\t<div class=\"elementor-element elementor-element-a231b9e elementor-widget elementor-widget-spacer\" data-id=\"a231b9e\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-b5cf047 elementor-widget elementor-widget-html\" data-id=\"b5cf047\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"html.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h9999>Repertoire Opera<\/h9999>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-a4503f4 repertoire-columns elementor-widget elementor-widget-text-editor\" data-id=\"a4503f4\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\n<div class=\"keinumbruch\">\n\n<strong>Beethoven, Ludwig van (1770\u20131827)<\/strong>\n<ul>\n \t<li>Fidelio \/ Leonore (Marzelline*)<\/li>\n<\/ul>\n<\/div>\n<div class=\"keinumbruch\">\n\n<strong>Bizet, Georges (1838\u20131875)<\/strong>\n<ul>\n \t<li>Carmen (Mica\u00ebla)<\/li>\n<\/ul>\n<\/div>\n<div class=\"keinumbruch\">\n\n<strong>Britten, Benjamin (1913\u20131976)<\/strong>\n<ul>\n \t<li>A Midsummer Night\u2019s Dream (Tytania, Helena*)<\/li>\n<\/ul>\n<\/div>\n<div class=\"keinumbruch\">\n\n<strong>Cavalieri, Emilio de\u2019 (c. 1550\u20131602)<\/strong>\n<ul>\n \t<li>Rappresentazione di Anima e di Corpo (Anima)<\/li>\n<\/ul>\n<\/div>\n<div class=\"keinumbruch\">\n\n<strong>Debussy, Claude (1862\u20131918)<\/strong>\n<ul>\n \t<li>Pell\u00e9as et M\u00e9lisande (M\u00e9lisande)<\/li>\n<\/ul>\n<\/div>\n<div class=\"keinumbruch\">\n\n<strong>Dvo\u0159\u00e1k, Anton\u00edn (1841\u20131904)<\/strong>\n<ul>\n \t<li>Rusalka (Rusalka*)<\/li>\n<\/ul>\n<\/div>\n<div class=\"keinumbruch\">\n\n<strong>E\u00f6tv\u00f6s, Peter (1944-2024)<\/strong>\n<ul>\n \t<li>Der goldene Drache (2014) (Young woman \/ The little Chinese)<\/li>\n<\/ul>\n<\/div>\n<div class=\"keinumbruch\">\n\n<strong>Gluck, Christoph Willibald (1714\u20131787)<\/strong>\n<ul>\n \t<li>Orfeo ed Euridice (Euridice)<\/li>\n<\/ul>\n<\/div>\n<div class=\"keinumbruch\">\n\n<strong>H\u00e4ndel, Georg Friedrich (1685\u20131759)<\/strong>\n<ul>\n \t<li>Aci, Galatea e Polifemo (Aci)<\/li>\n \t<li>Alcina (Alcina*)<\/li>\n \t<li>Amadigi di Gaula (Oriana, Melissa*)<\/li>\n \t<li>Ariodante (Ginevra*)<\/li>\n \t<li>Giulio Cesare (Cleopatra)<\/li>\n \t<li>Orlando (Angelica)<\/li>\n \t<li>Partenope (Partenope*)<\/li>\n \t<li>Radamisto (Tigrane, Polissena*)<\/li>\n \t<li>Rodelinda (Rodelinda*)<\/li>\n \t<li>Rinaldo (Armida*, Almirena*)<\/li>\n \t<li>Saul (Michal)<\/li>\n \t<li>Semele (Semele*)<\/li>\n \t<li>Serse (Romilda)<\/li>\n \t<li>Teseo (Agilea)<\/li>\n<\/ul>\n<\/div>\n<div class=\"keinumbruch\">\n\n<strong>Humperdinck, Engelbert (1854\u20131921)<\/strong>\n<ul>\n \t<li>H\u00e4nsel und Gretel (Gretel)<\/li>\n<\/ul>\n<\/div>\n<div class=\"keinumbruch\">\n\n<strong>K\u00e1lm\u00e1n, Emmerich (1882\u20131953)<\/strong>\n<ul>\n \t<li>Die Cs\u00e1rd\u00e1sf\u00fcrstin (Countess Stasi)<\/li>\n<\/ul>\n<\/div>\n<div class=\"keinumbruch\">\n\n<strong>Leh\u00e1r, Franz (1870\u20131948)<\/strong>\n<ul>\n \t<li>Die lustige Witwe (Valencienne, Hanna Glawari*)<\/li>\n<\/ul>\n<\/div>\n<div class=\"keinumbruch\">\n\n<strong>Monteverdi, Claudio (1567\u20131643)<\/strong>\n<ul>\n \t<li>L\u2019incoronazione di Poppea (Poppea*)<\/li>\n<\/ul>\n<strong style=\"overflow: hidden;\">Mozart, Wolfgang Amadeus (1756\u20131791)<\/strong>\n<ul>\n \t<li>Ascanio in Alba (Venere, Silvia*)<\/li>\n \t<li>Cos\u00ec fan tutte (Fiordiligi*, Despina*)<\/li>\n \t<li>Die Zauberfl\u00f6te (Pamina)<\/li>\n \t<li>Don Giovanni (Zerlina, Donna Anna, Elvira*)<\/li>\n \t<li>Idomeneo (Ilia*, Elettra)<\/li>\n \t<li>Il re pastore (Elisa*)<\/li>\n \t<li>Le nozze di Figaro (Susanna, La Contessa di Almaviva*)<\/li>\n \t<li>La clemenza di Tito (Vitellia*)<\/li>\n \t<li>Mitridate, re di Ponto (Aspasia*)<\/li>\n<\/ul>\n<\/div>\n<div class=\"keinumbruch\">\n\n<strong>Pergolesi, Giovanni Battista (1710\u20131736)<\/strong>\n<ul>\n \t<li>La serva padrona (Serpina)<\/li>\n<\/ul>\n<\/div>\n<div class=\"keinumbruch\">\n\n<strong>Poulenc, Francis (1899\u20131963)<\/strong>\n<ul>\n \t<li>Les mamelles de Tir\u00e9sias (Th\u00e9r\u00e8se \/ Tir\u00e9sias*)<\/li>\n<\/ul>\n<\/div>\n<div class=\"keinumbruch\">\n\n<strong>Puccini, Giacomo (1858\u20131924)<\/strong>\n<ul>\n \t<li>Gianni Schicchi (Lauretta)<\/li>\n \t<li>La Boh\u00e8me (Mimi*, Musetta)<\/li>\n<\/ul>\n<\/div>\n<div class=\"keinumbruch\">\n\n<strong>Purcell, Henry (1659\u20131695)<\/strong>\n<ul>\n \t<li>Dido and Aeneas (Dido*)<\/li>\n<\/ul>\n<\/div>\n<div class=\"keinumbruch\">\n\n<strong>Scarlatti, Alessandro (1660\u20131725)<\/strong>\n<ul>\n \t<li>La Colpa, Il Pentimento, La Grazia (La Colpa)<\/li>\n<\/ul>\n<\/div>\n<div class=\"keinumbruch\">\n\n<strong>Schumann, Robert (1810\u20131856)<\/strong>\n<ul>\n \t<li>Genoveva (Genoveva*)<\/li>\n<\/ul>\n<\/div>\n<div class=\"keinumbruch\">\n\n<strong>Stradella, Alessandro (1639\u20131682)<\/strong>\n<ul>\n \t<li>San Giovanni Battista (Figlia*)<\/li>\n<\/ul>\n<\/div>\n<div class=\"keinumbruch\">\n\n<strong>Strauss, Richard (1864\u20131949)<\/strong>\n<ul>\n \t<li>Der Rosenkavalier (Sophie, Die Feldmarschallin*)<\/li>\n<\/ul>\n<\/div>\n<div class=\"keinumbruch\">\n\n<strong>Strawinsky, Igor (1882\u20131971)<\/strong>\n<ul>\n \t<li>The Rake\u2019s Progress (Anne*)<\/li>\n<\/ul>\n<\/div>\n<div class=\"keinumbruch\">\n\n<strong>Telemann, Georg Philipp (1681\u20131767)<\/strong>\n<ul>\n \t<li>Die wunderbare Best\u00e4ndigkeit der Liebe, oder Orpheus (Orasia)<\/li>\n<\/ul>\n<\/div>\n<div class=\"keinumbruch\">\n\n<strong>Verdi, Giuseppe (1813\u20131901)<\/strong>\n<ul>\n \t<li>Falstaff (Nannetta, Alice Ford*)<\/li>\n<\/ul>\n<\/div>\n<div class=\"keinumbruch\">\n\n<strong>Vivaldi, Antonio (1678\u20131741)<\/strong>\n<ul>\n \t<li>Il Giustino (Arianna)<\/li>\n \t<li>Orlando furioso (Angelica)<\/li>\n<\/ul>\n<\/div>\n<div class=\"keinumbruch\">\n\n<strong>Weber, Carl Maria von (1786\u20131826)<\/strong>\n<ul>\n \t<li>Der Freisch\u00fctz (\u00c4nnchen, Agathe*)<\/li>\n<\/ul>\n<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-06aa516 elementor-widget elementor-widget-text-editor\" data-id=\"06aa516\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p style=\"text-align: center;\">* \u2013 Repertoirem\u00f6glichkeiten<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-7969a14 e-con-full e-flex e-con e-child\" data-id=\"7969a14\" data-element_type=\"container\" data-e-type=\"container\" id=\"repertoire-konzert\">\n\t\t\t\t<div class=\"elementor-element elementor-element-4a4086d elementor-widget elementor-widget-spacer\" data-id=\"4a4086d\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-3f7f021 elementor-widget elementor-widget-html\" data-id=\"3f7f021\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"html.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h9999>Repertoire Konzert<\/h9999>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-dddc0a5 repertoire-columns elementor-widget elementor-widget-text-editor\" data-id=\"dddc0a5\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\n\n\n\n<div class=\"keinumbruch\">\n<strong>Bach, Carl Philipp Emanuel (1714\u20131788)<\/strong>\n<ul>\n \t<li>Hebt an, ihr Ch\u00f6re der Freuden &#8211; Oratorio of the Kapit\u00e4nsmusik1780 for soloists, choir, and orchestra\n(Hammona)<\/li>\n<\/ul>\n<\/div>\n<div class=\"keinumbruch\">\n\n<strong>Bach, Johann Sebastian (1685\u20131750)<\/strong>\n<ul>\n \t<li>Also hat Gott die Welt geliebt, BWV 68<\/li>\n \t<li>h-Moll Messe, BWV 232 (Soprano I)<\/li>\n \t<li>Ich hatte viel Bek\u00fcmmernis, BWV 21<\/li>\n \t<li>Jauchzet Gott in allen Landen, BWV 51<\/li>\n \t<li>Johannes-Passion, BWV 245<\/li>\n \t<li>Magnificat<\/li>\n \t<li>Matth\u00e4us-Passion, BWV 244<\/li>\n \t<li>Mein Herze schwimmt im Blut, BWV 199<\/li>\n \t<li>Weihnachts-Oratorium, BWV 248<\/li>\n \t<li>Wachet auf, ruft uns die Stimme, BWV 140<\/li>\n \t<li>Was Gott tut, das ist wohlgetan, BWV 99<\/li>\n<\/ul>\n<\/div>\n<div class=\"keinumbruch\">\n\n<strong>Beethoven, Ludwig van (1770\u20131827)<\/strong>\n<ul>\n \t<li>Trio for soprano, tenor and bass with orchestra \u201eTremate, empi tremate\u201c, Opus 116<\/li>\n<\/ul>\n<\/div>\n<div class=\"keinumbruch\">\n\n<strong>Brahms, Johannes (1833\u20131897)<\/strong>\n<ul>\n \t<li>Ein deutsches Requiem, Op. 45<\/li>\n<\/ul>\n<\/div>\n<div class=\"keinumbruch\">\n\n<strong>Buxtehude, Dieterich (ca. 1637\u20131707)<\/strong>\n<ul>\n \t<li>Also hat Gott die Welt geliebet, BuxWV 5<\/li>\n<\/ul>\n<\/div>\n<div class=\"keinumbruch\">\n\n<strong>Dvo\u0159\u00e1k, Anton\u00edn (1841\u20131904)<\/strong>\n<ul>\n \t<li>Requiem, Op. 89<\/li>\n \t<li>Stabat Mater, Op. 58<\/li>\n<\/ul>\n<\/div>\n<div class=\"keinumbruch\">\n\n<strong>Graupner, Christoph (1683\u20131760)<\/strong>\n<ul>\n \t<li>Mein Herz schwimmt in Blut, GWV 1152\/12b<\/li>\n<\/ul>\n<\/div>\n<div class=\"keinumbruch\">\n\n<strong>H\u00e4ndel, Georg Friedrich (1685\u20131759)<\/strong>\n<ul>\n \t<li>Lucrezia, HWV 145, solo cantata<\/li>\n \t<li>Messiah, HWV 56<\/li>\n \t<li>Saul, HWV 53 (Michal)<\/li>\n<\/ul>\n<\/div>\n<div class=\"keinumbruch\">\n\n<strong>Hasse, Johann Adolph (1699\u20131783)<\/strong>\n<ul>\n \t<li>Laudate pueri, Psalm 112 (soprano I)<\/li>\n<\/ul>\n<\/div>\n<div class=\"keinumbruch\">\n\n<strong>Haydn, Joseph (1732\u20131809)<\/strong>\n<ul>\n \t<li>Die Sch\u00f6pfung<\/li>\n \t<li>Die sieben letzten Worte unseres Erl\u00f6sers am Kreuze, Hob. XX\/1:A<\/li>\n \t<li>Miseri noi, misera patria &#8211; Solo cantata for soprano and orchestra<\/li>\n \t<li>Missa in angustiis\/Nelson-Messe, Hob. XXII: 11, d-Moll<\/li>\n<\/ul>\n<\/div>\n<div class=\"keinumbruch\">\n\n<strong>Henze, Hans Werner (1926\u20132012)<\/strong>\n<ul>\n \t<li>Being beauteous, Cantata for coloratura soprano, harp and four cellos<\/li>\n<\/ul>\n<\/div>\n<div class=\"keinumbruch\">\n\n<strong>Mahler, Gustav (1860\u20131911)<\/strong>\n<ul>\n \t<li>Symphony No. 2<\/li>\n \t<li>Symphony No. 4<\/li>\n<\/ul>\n<\/div>\n<div class=\"keinumbruch\">\n\n<strong>Mendelssohn, Felix (1809\u20131847)<\/strong>\n<ul>\n \t<li>Elias, Op. 70 (Soprano I, Witwe)<\/li>\n \t<li>H\u00f6r mein Bitten, Hymne nach Psalm 55, 2-8, WoO 15<\/li>\n \t<li>Paulus, Op. 36<\/li>\n<\/ul>\n<\/div>\n<div class=\"keinumbruch\">\n\n<strong>Mozart, Wolfgang Amadeus (1756\u20131791)<\/strong>\n<ul>\n \t<li>&#8222;Ch&#8217;io mi scordi di te? &#8230; Non temer, amato bene&#8220;, K. 505 for soprano, piano obbligato and orchestra<\/li>\n \t<li>Die Kr\u00f6nungsmesse in C-Dur, KV 317<\/li>\n \t<li>Exsultate, jubilate, KV 165 &#8211; Motet for soprano and orchestra<\/li>\n \t<li>Gro\u00dfe Messe in c-Moll, KV 427 (Soprano I)<\/li>\n \t<li>Laudate Dominum aus Vesperae solennes de Confessore, KV 339<\/li>\n \t<li>Requiem, KV 626<\/li>\n<\/ul>\n<\/div>\n<div class=\"keinumbruch\">\n\n<strong>Myslive\u010dek, Josef (1737 \u20131781)<\/strong>\n<ul>\n \t<li>Abramo ed Isacco (Isacco)<\/li>\n<\/ul>\n<\/div>\n<div class=\"keinumbruch\">\n\n<strong>Pergolesi, Giovanni Battista (1710\u20131736)<\/strong>\n<ul>\n \t<li>Salve Regina c-Moll<\/li>\n \t<li>Stabat Mater<\/li>\n<\/ul>\n<\/div>\n<div class=\"keinumbruch\">\n\n<strong>Poulenc, Francis (1899\u20131963)<\/strong>\n<ul>\n \t<li>Gloria, FP 177 (1959) *<\/li>\n \t<li>Stabat Mater, FP 148 (1950) *<\/li>\n<\/ul>\n<\/div>\n<div class=\"keinumbruch\">\n\n<strong>\u00a0<\/strong>\n\n<\/div>\n<div class=\"keinumbruch\">\n\n<strong>Schubert, Franz (1797\u20131828)<\/strong>\n<ul>\n \t<li>Mass No. 5 in A flat major, D 678<\/li>\n \t<li>Salve Regina in A major, Op. 153 for soprano and string orchestra<\/li>\n<\/ul>\n<\/div>\n<div class=\"keinumbruch\">\n\n<strong>Schumann, Robert (1810\u20131856)<\/strong>\n<ul>\n \t<li>Scenes from Goethe&#8217;s Faust, WoO 3 (Gretchen, Soprano Solo III, Nr. 4)<\/li>\n<\/ul>\n<\/div>\n<div class=\"keinumbruch\">\n\n<strong>Telemann, Georg Philipp (1681\u20131767)<\/strong>\n<ul>\n \t<li>Seele, lerne dich erkennen, TWV 1:1258 from the Harmonischen Gottesdienst<\/li>\n \t<li>So k\u00f6mmt die k\u00fchne Tapferkeit (Serenata of the Kapit\u00e4nsmusik 1736)<\/li>\n<\/ul>\n<\/div>\n<div class=\"keinumbruch\">\n\n<strong>Vivaldi, Antonio (1678\u20131741)<\/strong>\n<ul>\n \t<li>Mottetto In furore iustissimae irae, RV 626<\/li>\n<\/ul>\n<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-9e1aa52 e-con-full e-flex e-con e-child\" data-id=\"9e1aa52\" data-element_type=\"container\" data-e-type=\"container\" id=\"repertoire-lied\">\n\t\t\t\t<div class=\"elementor-element elementor-element-179d79c elementor-widget elementor-widget-spacer\" data-id=\"179d79c\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-dda8222 elementor-widget elementor-widget-html\" data-id=\"dda8222\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"html.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h9999>Repertoire Lied<\/h9999>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-ee015e8 repertoire-columns elementor-widget elementor-widget-text-editor\" data-id=\"ee015e8\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\n<div class=\"keinumbruch\">\n\n<strong>Argento, Dominick (1927\u20132019)<\/strong>\n<ul>\n \t<li>Six Elizabethan Songs (selection)<\/li>\n<\/ul>\n<\/div>\n<div class=\"keinumbruch\">\n\n<strong>Barber, Samuel (1910\u20131981)<\/strong>\n<ul>\n \t<li>Nuvoletta, Op. 25 from \u201eFinnegans Wake\u201c<\/li>\n<\/ul>\n<\/div>\n<div class=\"keinumbruch\">\n\n<strong>Barvinsky, Vasyl (1888\u20131963)\u00a0 <\/strong>\n<ul>\n \t<li>Oy lyuli, lyuli, moya dyntyno<\/li>\n<\/ul>\n<\/div>\n<div class=\"keinumbruch\">\n\n<strong>Beethoven, Ludwig van (1770\u20131827)<\/strong>\n<ul>\n \t<li>Auswahl<\/li>\n<\/ul>\n<\/div>\n<div class=\"keinumbruch\"><\/div>\n<div class=\"keinumbruch\">\n\n<strong>Bortkevych, Serhiy (1877\u20131952)<\/strong>\n<ul>\n \t<li>Sept po\u00e9sies de Paul Verlaine op. 23 (1. La lune blanche 2. Green 3. Un grand sommeil noir 4. Le piano que baise une main fr\u00eale 5. Il pleure dans mon c\u0153ur 6. La femme et la chatte 7. Le ciel est, par dessus le toit)<\/li>\n<\/ul>\n<\/div>\n<div class=\"keinumbruch\">\n\n<strong>Brahms, Johannes (1833\u20131897)<\/strong>\n<ul>\n \t<li>Feldeinsamkeit, Op. 86, Lerchengesang, Op. 70, Liebeslieder-Walzer, Op. 52, M\u00e4dchenfluch, Op. 69,\nM\u00e4dchenlied, Op. 107, Meine Liebe ist gr\u00fcn, Op. 63, Neue Liebeslieder-Walzer, Op. 65, O w\u00fcsst\u2019 ich doch\nden Weg zur\u00fcck, Op. 63, Quartette, Op. 31, 92 (selection),Vergebliches St\u00e4ndchen, Op. 84, Wie Melodien\nzieht es, Op. 105<\/li>\n<\/ul>\n<\/div>\n<div class=\"keinumbruch\">\n\n<strong>Debussy, Claude (1862\u20131918)<\/strong>\n<ul>\n \t<li>Quatre chansons de jeunesse (Pantomime, Clair de lune, Pierrot, Apparition), Romance L&#8217;\u00e2me \u00e9vapor\u00e9e\nest souffrante (1891) (Bourget), Romance Silence ineffable de l&#8217;heure (1883) a.o.<\/li>\n<\/ul>\n<\/div>\n<div class=\"keinumbruch\">\n\n<strong>Gieseking, Walter (1895\u20131956)<\/strong>\n<ul>\n \t<li>21 Kinderlieder (selection)<\/li>\n<\/ul>\n<\/div>\n<div class=\"keinumbruch\">\n\n<strong>Gli\u00e8re, Reinhold (1875\u20131956)<\/strong>\n<ul>\n \t<li>In der Ferne, Auf den Blumen zittern Tra\u0308ne<\/li>\n \t<li>Vdali bezbrezhnoi, Na tsvetakh drozhat slezinki u.a.<\/li>\n<\/ul>\n<\/div>\n<div class=\"keinumbruch\">\n\n<strong>Grieg, Edvard (1843\u20131907)<\/strong>\n<ul>\n \t<li>Sox songs Op. 48<\/li>\n<\/ul>\n<\/div>\n<div class=\"keinumbruch\">\n\n<strong>Hahn, Reynaldo (1874\u20131947)<\/strong>\n<ul>\n \t<li>A\u0300 Chloris and other songs<\/li>\n<\/ul>\n<\/div>\n<div class=\"keinumbruch\">\n\n<strong>Haydn, Franz Joseph (1732\u20131809)<\/strong>\n<ul>\n \t<li>Scottish songs (selection)<\/li>\n<\/ul>\n<\/div>\n<div class=\"keinumbruch\">\n\n<strong>Hensel (Mendelssohn), Fanny (1805\u20131847)<\/strong>\n<ul>\n \t<li>Op. 1: Schwanenlied, Op. 4: Nacht, Im Herbst, Op. 7: Harfners Lied, Nachtwanderer, Op. 8: Ach, die Augen sind es\nwieder, Achmed an Irza \/ Im Garten, Op. 9: Die Mainacht, Sehnsucht (\u201cIch wei\u00df ein Tal\u201d), Traum, \u00dcber allen\nGipfeln ist Ruh, Op. 10: Bergeslust, Nach S\u00fcden, Wenn ich mir in stiller Seele, Vorwurf (Op. posth. 10), Op. 18:\nD\u00e4mmrung senkte sich von oben, H-U 66: Die furchtsame Tr\u00e4ne, H-U 213: Ger\u00e4usch, Wo kommst du her?, H-U\n378: Ankl\u00e4nge (V\u00f6glein in den sonn\u2019gen Tagen, Ach! wie ist es doch gekommen, K\u00f6nnt\u2019 ich zu den W\u00e4ldern\nfl\u00fcchten)<\/li>\n<\/ul>\n<\/div>\n<div class=\"keinumbruch\">\n\n<strong>Hindemith, Paul (1895\u20131963)<\/strong>\n<ul>\n \t<li>Das Marienleben (1948 version)<\/li>\n<\/ul>\n<\/div>\n<div class=\"keinumbruch\">\n\n<strong>Ippolitow-Iwanow, Mikhail (1859\u20131935)<\/strong>\n<ul>\n \t<li>Five Japanese poems Op. 60<\/li>\n<\/ul>\n<\/div>\n<div class=\"keinumbruch\">\n\n<strong>Liszt, Franz (1811\u20131886)<\/strong>\n<ul>\n \t<li>Oh, quand je dors, Enfant, si j \u0301e\u0301tais roi<\/li>\n<\/ul>\n<\/div>\n<div class=\"keinumbruch\">\n\n<strong>Liudkevych, Stanislav (1879\u20131979)<\/strong>\n<ul>\n \t<li>Odna pisnya holosnenka a.o.<\/li>\n<\/ul>\n<\/div>\n<div class=\"keinumbruch\">\n\n<strong>Loewe, Carl (1796\u20131869)<\/strong>\n<ul>\n \t<li>Der No\u0308ck Op. 129, Ach neige du Schmerzenreiche op. 9<\/li>\n<\/ul>\n<\/div>\n<div class=\"keinumbruch\">\n\n<strong>Lysenko, Mykola (1842\u20131912)\u00a0 <\/strong>\n<ul>\n \t<li>Knyazhna a.o.<\/li>\n<\/ul>\n<\/div>\n<div class=\"keinumbruch\">\n\n<strong>Medtner, Nikolai (1880\u20131951)\u00a0 <\/strong>\n<ul>\n \t<li>Angel, Op. 36, Babochka, Op. 28, Bessonnitsa, Op. 37, Ispanskiy romans, Op. 36, Lish rozy uvyayut, Op. 36, Muza,\nOp. 29, Nash vek, Op. 45, O chem ty voesh, vetr nochnoy?, Op. 37, Slezy, Op. 37, Sumerki, Op. 24, Zimniy vecher,\nOp. 13, Meeresstille, Op. 15, Winternacht, Op. 46<\/li>\n<\/ul>\n<\/div>\n<div class=\"keinumbruch\">\n\n<strong>Mendelssohn-Bartholdy, Felix (1809\u20131847) <\/strong>\n<ul>\n \t<li>Altdeutsches Fr\u00fchlingslied, Op. 86, Andres Maienlied (Hexenlied), Op. 8, Auf Fl\u00fcgeln des Gesanges, Op. 34,\nBlumenstrau\u00df, Op. 47, Des M\u00e4dchens Klage, WoO 23, Die Liebende schreibt, Op. 86, Fr\u00fchlingslied, Op. 47,\nNachtlied, Op. 71, Neue Liebe, Op. 19, Schilflied, Op. posth. 71, Suleika, Op. 34, Venetianisches Gondellied, Op. 57<\/li>\n<\/ul>\n<\/div>\n<div class=\"keinumbruch\">\n\n<strong>Messiaen, Olivier (1908\u20131992)<\/strong>\n<ul>\n \t<li>R\u00e9surrection aus Chants de Terre et de Ciel (selection)<\/li>\n<\/ul>\n<\/div>\n<div class=\"keinumbruch\">\n\n<strong>Mozart, Wolfgang Amadeus (1756\u20131791)<\/strong>\n<ul>\n \t<li>Abendempfindung an Laura, K. 523, Das Veilchen, KV 476 and other songs<\/li>\n<\/ul>\n<\/div>\n<div class=\"keinumbruch\">\n\n<strong>Mussorgskij, Modest (1839\u20131881)<\/strong>\n<ul>\n \t<li>Detskaja (Nursery)<\/li>\n<\/ul>\n<\/div>\n<div class=\"keinumbruch\">\n\n<strong>Poulenc, Francis (1899\u20131963)<\/strong>\n<ul>\n \t<li>&lt;Fian\u00e7ailles pour rire, FP101<\/li>\n<\/ul>\n<\/div>\n<div class=\"keinumbruch\">\n\n<strong>Prokofjew, Sergei (1891\u20131953)<\/strong>\n<ul>\n \t<li>Boltunia\/ The Chatterbox from Three Children&#8217;s Songs, O\u0440. 68<\/li>\n<\/ul>\n<\/div>\n<div class=\"keinumbruch\">\n\n<strong>Purcell, Henry (1659\u20131695)\u00a0 <\/strong>\n<ul>\n \t<li>If Music be the food of love, Music for a while, Nymphs and shepherds come away, Tell me, some pitying angel\n(The Blessed Virgin\u2019s Expostulation)<\/li>\n<\/ul>\n<\/div>\n<div class=\"keinumbruch\">\n\n<strong>Rachmaninow, Sergei (1873\u20131943)<\/strong>\n<ul>\n \t<li>Krisolov, Op. 38, Ne poy krasavitsa pri mne, Op. 4, Son, Op. 8, U moego okna, Op. 26, Zdes\u2019 khorosho, Op. 21,\nVokalise, Op. 34 and other songs<\/li>\n<\/ul>\n<\/div>\n<div class=\"keinumbruch\">\n\n<strong>Reimann, Aribert (1936\u20132024)<\/strong>\n<ul>\n \t<li>Gib mir den Apfel aus Kinderlieder, ED 7682<\/li>\n<\/ul>\n<\/div>\n<div class=\"keinumbruch\">\n\n<strong>Rimskij-Korsakow, Nikolai (1844\u20131908)<\/strong>\n<ul>\n \t<li>Op. 2: Plenivshis\u2019 rozoy solovey, Op. 27: Echo, Gornimi ticho letela duscha nebesami, Prosti, ne pomni dnej\npadenja, Ty i Vy, Op. 42: Redeet oblakov letuchaya gryada, Op. 43: Zvonche zhavoronka pen\u2019e, Op. 56: Nympha u.a.<\/li>\n<\/ul>\n<\/div>\n<div class=\"keinumbruch\">\n\n<strong>Roslavets, Nikolai (1881\u20131944)<\/strong>\n<ul>\n \t<li>Bogomater\u2018! Ego oseni, Cvetok, Ja segodnja ne pomnju, c`to bylo vc`era, Kak mlec`nyj put\u2018, ljubov\u2018 tvoja, Kuk,\nMargaritki, Petukhi, Posmotri, stalo nebo \u0161ire, Sbylos\u2018 proroc`estvo mo\u00eb, Vec`er, Vesennij veter, Zarnica, Zaklinanie<\/li>\n<\/ul>\n<\/div>\n<div class=\"keinumbruch\">\n\n<strong>Schostakowitsch, Dmitri (1906\u20131975)<\/strong>\n<ul>\n \t<li>Romance Suite for Soprano and Piano Trio op. 127<\/li>\n<\/ul>\n<\/div>\n<div class=\"keinumbruch\">\n\n<strong>Schubert, Franz (1797\u20131828)<\/strong>\n<ul>\n \t<li>Adelaide, Op. 14, An den Mond, Op. 80, An die Musik, Op. 88 Auf dem Wasser zu singen, Op. 72, Der Hirt auf\ndem Felsen, Op. posth. 129, Der Wanderer, Op. 24, Die Forelle, Op. 32, Die junge Nonne, Op. 78, Erlk\u00f6nig, D 328,\nGretchen am Spinnrade, Op. 2, Im Fr\u00fchling, Op. 4, So lasst mich scheinen, bis ich werde, Op. 80, Suleika, Op. 14,\nSuleika, Op. 31<\/li>\n<\/ul>\n<\/div>\n<div class=\"keinumbruch\">\n\n<strong>Schumann, Clara (1819\u20131896)<\/strong>\n<ul>\n \t<li>Six songs, Op. 13 (Ich stand in dunklen Tr\u00e4umen, Sie liebten sich beide, Liebeszauber, Der Mond kommt\nstill gegangen, Ich hab&#8216; in deinem Auge, Die stille Lotosblume), Lorelei Op. 53, Der Wanderer<\/li>\n<\/ul>\n<\/div>\n<div class=\"keinumbruch\">\n\n<strong>Schumann, Robert (1810\u20131856)<\/strong>\n<ul>\n \t<li>Auftr\u00e4ge, Op. 77, Dichterliebe, Op. 48, Die Meerfee, Op. 39, Frauenliebe und \u2013leben, Op. 42, Kennst\ndu das Land, Op. 79, Lied der Suleika, Op. 25, Liebeslied, Op. 51, Mein sch\u00f6ner Stern!, Op. 101, Mondnacht, Op. 39,\nMyrthen, Op. 25 (selection), Sehnsucht, Op. 51, Singet nicht in Trauert\u00f6nen, Op. 98A\/7<\/li>\n<\/ul>\n<\/div>\n<div class=\"keinumbruch\">\n\n<strong>Stepovy, Yakiv (1883-1921)<\/strong>\n<ul>\n \t<li>Ni, ne spivay pisen veselykh a.o.<\/li>\n<\/ul>\n<\/div>\n<div class=\"keinumbruch\">\n\n<strong>Strauss, Richard (1864\u20131949)<\/strong>\n<ul>\n \t<li>Die Nacht, Op. 10, Die Vier letzten Lieder, M\u00e4dchenblumen, Op. 22, St\u00e4ndchen, Op. 17, Wiegenlied,\nOp. 41 und andere Lieder<\/li>\n<\/ul>\n<\/div>\n<div class=\"keinumbruch\">\n\n<strong>Tschaikowski, Pjotr (1840\u20131893)<\/strong>\n<ul>\n \t<li>Otchego, Op. 1, Kolybelnaya, Op. 72 u.a.<\/li>\n<\/ul>\n<\/div>\n<div class=\"keinumbruch\">\n\n<strong>Trad. (Ukrainian and Russian folk songs)<\/strong>\n\n<\/div>\n<div class=\"keinumbruch\">\n\n<strong>Weinberg, Mieczys\u0142aw (1919\u20131996)<\/strong>\n<ul>\n \t<li>Ju\u0308 dische Lieder\/ Kinderlieder Op. 13 for soprano and piano trio<\/li>\n<\/ul>\n<\/div>\n<div class=\"keinumbruch\">\n\n<strong>Wolf, Hugo (1860\u20131903)<\/strong>\n<ul>\n \t<li>Mignon Ges\u00e4nge (Hei\u00df mich nicht reden, Nur wer die Sehnsucht kennt, So la\u00dft mich scheinen, bis ich werde,\nKennst Du das Land), Die Bekehrte, Die Spr\u00f6de, Fr\u00fchling \u00fcbers Jahr, Verborgenheit, Goethe-Lieder aus\ndem West-\u00f6stlichen Divan (Nimmer will ich dich verlieren, Als ich auf dem Euphrat schiffte, Hoch\nbegl\u00fcckt in deiner Liebe)\/li&gt;<\/li>\n<\/ul>\n<\/div>\n\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"<p>Kateryna Kasper Repertoire * \u2013 Repertoirem\u00f6glichkeiten<\/p>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"elementor_header_footer","meta":{"inspiro_page_layout":"narrow","inspiro_hide_title":false,"footnotes":""},"class_list":["post-11740","page","type-page","status-publish","hentry"],"featured_media_urls":[],"_links":{"self":[{"href":"https:\/\/katerynakasper.de\/en\/wp-json\/wp\/v2\/pages\/11740","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/katerynakasper.de\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/katerynakasper.de\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/katerynakasper.de\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/katerynakasper.de\/en\/wp-json\/wp\/v2\/comments?post=11740"}],"version-history":[{"count":54,"href":"https:\/\/katerynakasper.de\/en\/wp-json\/wp\/v2\/pages\/11740\/revisions"}],"predecessor-version":[{"id":17925,"href":"https:\/\/katerynakasper.de\/en\/wp-json\/wp\/v2\/pages\/11740\/revisions\/17925"}],"wp:attachment":[{"href":"https:\/\/katerynakasper.de\/en\/wp-json\/wp\/v2\/media?parent=11740"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}